June 19, 2013

Writing Club Wednesday: Voice

Good Morning! Misfit Jenny here to talk to you about the ever-elusive VOICE. To prep for this post, I sent a photograph to a handful of writers with the instructions to write up to a paragraph about or inspired by the image. Here's what I got back:

There’s a moment on stage, when the curtain comes up and the lights wash over you like a sunrise, when you feel fifty feet tall. Like you are something bigger, better, more eternal than just a handful of nerds reciting Shakespeare from memory. Most thespians live for the applause at the end of a show, but not me. Every show, even terrible ones, get applause. So for me, nothing beats the first shared breath between actor and audience. Or at least that used to be the case, before my mom decided to bring her new boyfriend and his son to my show.
- @writefully_so

The forest was darker than it should have been, with the trees silhouetted against the blue sky. We'd been walking for days and as the sun descended toward the horizon, its rays broke through the branches like it was some kind of omen; this part of our journey was almost complete. Still we walked, with the hope in our minds that if we continued long enough, the temple would be less dangerous. It wouldn't. In fact, the temple of Grishtor grew more dangerous with each passing moment as our enemies made for the same place. If they reached it before us, all would be lost.
- @thomasaknight

Once, there was Light, unfettered, unchained, that burned and glowed and filled that abhorred vacuum with honey liquid gold. Light steamed away the cold, turning frigid white to free rainbow vapour in its beams. Finger rays delved into the rich, dark earth and pulled up green, inviting the ground to share in the power, the unrivalled heliotrope that took the earth and claimed it for its own.
Then from the ground sprung the shadows, the walking talking marks who blocked Light wherever they stood, their shapes casting long, stretched sheaths of black over the green. And they too delved into the earth, and pulled up roots, and brought back the darkness beneath, poisoning the rich earth with greedy grasping fingers, leaving spaces Light could not reach. And so Light, once a wide, warm bubble over all, was cast out by the stinking, noxious output of the shadows, retreating to shine down just so between the trees, alighting here and there on something still good, still green.

- @chynnablueink

There’s a certain stillness here on the forest floor, where my tennis shoes scuff in the dirt and I wander with only my thoughts for company. My deepest disappointments and regrets burn in my heart until the trees bend to give me their ear. I rub at my chilled arms and whisper to the swaying branches, asking for something I can’t even define—security, truth, healing, direction—anything to smooth away this twisting ache and dry up the last of my tears. I’m not really expecting an answer, some questions have none, but then I tip my head back as far as it will go and I see it. The break in the trees. The fingers of light spearing down from heaven, reaching for me through the darkness. I step forward. Warm rays catch my face and I close my eyes to bask in this little sliver of hope. I let the sun envelop me like a hug, for in its embrace, I am no longer alone.
- @NoelleHenryYA

The sun would bring humidity, heaviness. And the smell of blood would turn to the smell of rotting flesh. Lance looked down at Reeve's torn gray pant, the shard of bone that used to be his knee. It wasn't supposed to end like this. They'd survived five broken fields in Virginia. Must be this ground. Pennsylvania hated them.
- @rachelolaughlin

Does that create an image in your mind? Does it create a mood or a feeling? Each one is based on the same image, an image that could be described like this:
Sun shining through trees

Or this:

Rays of sunshine through the trees. Cape Lookout State Park, Tillamook, Oregon.

Or this:

The morning sun breaks through the copse of trees hedging our campsite at Cape Lookout State Park in Tillamook, Oregon.

But those are captions. Facts. They're dry. They're accurate. But good stories aren't always about accurate. They're about conveying more than just description.

That's where voice comes in. Voice is what makes your story uniquely yours. It's in your word choice, your sentence length and structure, even what part of a story you choose to tell. It's why out of five writers, not one sounds exactly like another.

If you spend enough time in the writing community, you will come across more writing tips than you can ever hope to use. If you try, you will lose your voice. I promise. It's happened to me. I've gotten so caught up in no adverbs, no incomplete sentences, never start with a conjunction or end with a preposition. First person is better, no third person is better. One POV. Multiple POVs. Do this, don't do that. Follow this formula and you'll be a GOOD writer.

Technically, that may be true. However, there is more to writing that technique and some of the best writers, some of the best stories, break the rule and it WORKS. It works because it's true to the voice of the story.

One of the hardest lessons I've had to learn as a writer is how to hold on to my voice while listening to feedback. I'm still learning but here are a few things that I use to help me decipher when something needs to change vs. when I need to hold on.

1.) Is it clear? Sometimes when you write something particularly voicey, it gets confusing. There may be a better way to describe the same concept without going overboard. If your readers are confused or distracted, rewrite it.

2.) Is this one person's opinion or do others agree? This is why you need more than one reader. If you get the same note on the same spot over and over, it's probably something that needs to be addressed. If one reader loves something and another hates it, it might be opinion.

3.) Does it ring true? Sometimes you write something and you KNOW it's going to get flagged. Maybe it's something you love but is overwrought. A phase you want to use but doesn't really fit. Maybe it's even something you don't love and doesn't work but don't know how to fix it. Whatever it is, if your readers confirm it, cut it.

4.) Does it ring false? There are times when a reader will point something out that you, as the writer, know needs to stay. If that gut feeling is there, listen to it. Obviously we all need to kill our darlings sometimes, but other times, you know. Stick to your convictions and you'll save your voice.

I hope that helps! Do you have any tips for keeping (or finding) your voice?

(Curious about the photo? Here it is!)



June 17, 2013

Monday Pep Rally: Favorite First Lines

                                                              Happy Monday, Misfiteers!!!

                                                     

If you'll recall, we've changed up our format a little bit for these posts. Because we've all gotten so used to getting our thoughts down in 140 characters, we're taking the discussion to twitter! Every Monday, we'll be talking about our Pep Rally question on twitter and we'd love you to join in. Just keep an eye out for the #MisfitPepRally hashtag!

Today we're talking about first lines. Personally, I'm kind of distractible and something like a first line can make a huge difference in whether I'm going to love a book.  I know. GASP, we only have one line to get you? Yes. BUT. I typically read on to see if it can sustain or if it gets better or worse, I just usually know by that line what kind of book I'm in for, ya know? A good first line will hook you and provide the voice all in that one line. I love when authors catch me off-guard too.

Here's a few of my favorites: 

THE SCORPIO RACES by Maggie Stiefvater: "It is the first day of November and so, today, someone will die." Who wouldn't read on from that?

WARM BODIES by Isaac Marion: "I am dead, but it's not so bad." I love this book. I kind of knew what I was going to read because of the movie trailer, but still, Marion's voice drew me right in.

ANNA AND THE FRENCH KISS by Stephanie Perkins: "Here is everything I know about France: Madeline and Amelie and Moulin Rouge.Her voice drew me in. I don't know a lot about France myself, in fact, I've never even seen Amelie, Perkins sets the tone for this book right away. Brilliantly done. I haven't heard of a soul yet who didn't love this book. 

Here's one from my WIP: "I've been through the seven stages of grief." Yeah... still working on this one. Pretty sure this may change ;o)

What about you? What are your favorite first lines and why? Head over to Twitter and let us know on the #MisfitPepRally hashtag!

Have a great week!

June 14, 2013

Casual Friday: Interview and ARC Giveaway with Author/Agent John M. Cusick!

Happy Friday All!

Because we Misfits love to bring you the latest on authors and agents and books, today's post is a triple treat - we're interviewing Greenhouse Literary agent John M. Cusick (a superstar, I can assure you, as I am one of his clients) about his agenting wish list, getting the scoop on his brand new book, CHERRY MONEY BABY, and - wait for it - we're giving away a signed ARC!



So without further ado...

Thanks for joining us today, John! We’re all kind of drooling over your newest book, CHERRY MONEY BABY. Tell us a little bit about it and what inspired you to write it.
 
So many things inspired CHERRY MONEY BABY— it developed from an amalgamation of thoughts, images, stories and people that were rattling around in my brain at the time. I drew a lot of inspiration from Anton Chekov’s play, The Cherry Orchard, as well as the Sondheim musical A Little Night Music. The paintings of Edward Hopper were also a big influence (and a few even made it into the book). So many things I read, saw, and thought about surfaced in the story, from She Hulk to Nabokov. I grew up in Cherry’s town, in a neighborhood like hers, and experienced a lot of the excitements and fears she does. I suppose to find the book’s root you’d have to go all the way back to my childhood.
 
Do you have a favorite line or excerpt you can share with us?
 
Here’s a bit I like. Cherry and her boyfriend Lucas are having an intimate moment under a train bridge.
 
“Cherry’s breath quickened. Tiny freight trains coursed in her veins, rushed through the hub of her heart. Her bones vibrated with the approach, the engine, the wheels, the noise, the track humming all the way from now into the endless future and she had to hop on or let it blast by because life would not slow down for her. And really there was no question because there was only one place she wanted to go, an inner place, a place with Lucas.”
 
Love that! CHERRY sounds like quite a departure from your last novel, GIRL PARTS.  What common themes do you want your readers to take away from the different stories you write?
 
There are no robots in CHERRY, but both books are about relationships, and how we define who we are. Like Rose, Cherry has a strong sense of who she is, but that image is challenged by others, by circumstances, and she’s forced to grow, adapt, and change. I think the role of fiction is to promote understanding and empathy; I find myself writing primarily about people doing the best they can. I suppose I hope my readers share this interest in understanding why people do the things they do.
 
What’s the strangest/least likely thing you’ve ever drawn inspiration from? (For example, mine was an empty field I used to drive by on my way to the grocery store.)
 
I’ve had inspiration arise from lots of sources. I find images very inspiring. I keep a Tumblr of photographs and illustrations that get me writing: IThoughtYouSaidGoForIt.Tumblr.com. Many times the initial inspiration for a story has no apparent relationship to the finished product. The first spark for GIRL PARTS came from a YouTube video I saw of a young deaf woman who, thanks to an implant, was hearing sound for the first time. When the med tech asked her “What do you hear?” she signed “I can only hear myself crying.”
 
You’re both an agent an author. When do you sleep How do you balance the two?
 
Phew. Good question. I typically write early in the morning, then switch into agent mode. The two inform each other, which helps keep things balanced. I write y.a., I rep y.a. I spend my morning building stories, and the rest of the day helping others build theirs. It’s all related. I work long hours, but I take lots of little breaks throughout the day to sort of defragment my brain.
 
Also, caffeine.
 
  And while we’re on the subject of agenting….
 
You represent YA and Middle Grade. What kinds of stories are you dying to see in your inbox?
 
I’m rabid for great middle-grade, something with excitement and heart, and a great voice. I see a lot of National Treasure / Indiana Jones m.g. comps, which are great, but I’m more interested in totally fresh and original worlds, like Adam Rex’s COLD CEREAL series. Similarly in y.a., I love quirky, odd-ball concepts, as well as speculative and fantastical elements used to explore human stories.
 
What is your biggest pet peeve when reading queries/submissions? On the flip side, what makes a project jump off the page and scream, “REPRESENT ME!”
 
It may seem pedantic, but when authors don’t follow the submission guidelines (available at www.GreehouseLiterary.com) it drives me absolutely bonkers. Also, I occasionally see writers claiming to be “the next John Green” or “the next Suzanne Collins.” I love the confidence, but remember those authors weren’t “the next” anybody, they were just themselves.
 
Usually I fall in love with an author’s idea first. I read the query letter, and something about the story just grabs me—it’s got a great hook, or a totally fresh concept. That’s when I dash off a quick please oh please send me this e-mail. I want to work with writers who love to write, who want to work and build and grow; you can usually tell whether someone has the passion from their query letter. Those are the dream clients.
 
You have a blog (http://johnmcusick.wordpress.com/) where you talk about your own work, as well as dispense writing advice, and have taught several webinars aimed at helping authors sharpen their writing. What other resources do you recommend for aspiring authors, and what do you think is the most important advice they can follow?
 
Find a trustworthy critique partner who shares your tastes and isn’t afraid to break your heart. (Personally, I prefer critique partners to critique groups, but that’s just me.) There are hundreds of articles online about building characters and constructing stories—read them. Writing is like any other skill in that practice and education can and will help you develop and improve. The most important advice I can give to writers— in addition to keep writing— is this: make time and space for writing in your life. You’ve got to build your garden and tend it regularly. You can’t expect your work to grow up between the cracks in the pavement.
 
Now for the fun questions….
 
If you could live one day as any character in any book, who would it be and why?
 
I want to be Sherlock Holmes. How cool would it be to see the world the way he does? Who wouldn’t want to be a deductive genius for a day?
 
Excellent point. Or should I say, "Elementary?" No one escapes my interviews without talking food. What is your favorite kind of ice cream? Favorite cookie? Any particular food you can’t live without?
 
The sad truth about me is I don’t have much of a sweet tooth. But I do love to eat. I love the salty and savory stuff: chips, pizza, etc. My death row meal is absolutely buffalo wings—specifically the ones from Mario’s Pizza on Waverly in Brooklyn. I’d eat them day and night if my metabolism could handle it.
 
And last but not least, fill in the blank: If I see ____ in one more YA novel, I will scream.
 
“a Chosen One”
 
Thanks John! CHERRY sounds amazing and we wish you the best of luck with both your writing and agenting endeavors!
 
So, Misfiteers, if you'd like to learn more about John, are looking for some great writing advice, or would just like to be entertained by his general hilariousness, you can follow him on Twitter (@johnmcusick) or on his blog (http://johnmcusick.wordpress.com/).
 
AND - if you'd like to win a signed ARC of CHERRY MONEY BABY, just leave a comment on this post! One winner will be chosen at random but be sure to leave either your e-mail address or Twitter handle so we can contact you!
 
 
Cherry Kerrigan loves her simple life, her family’s tiny trailer, even working at Burrito Barn. Forget college — she’s marrying her sweetheart from next door. But here comes Ardelia Deen, a glamorous starlet who sweeps Cherry into a world of fast cars and penthouse parties. Now Cherry’s small-town life just seems so . . . small. When Ardelia drops a bomb of an offer — one involving a baby — Cherry knows her life will change forever, no matter what she decides. John M. Cusick focuses his signature wit on Hollywood royalty and the wide-eyed dreams of Small Town, U.S.A. in a novel about discovering who you are . . . and changing your mind.
 
Winner will be announced on Wednesday June 19th. Good luck!
 
 
 
 

June 13, 2013

Band Geek Thursday: Guest Post from Heather Hawke and SILVERED GLASS

We have a special guest for today's Band Geek Thursday. Not only did Heather Hawke make a generous donation to benefit the victims of the tragedy in West, Texas, she is working on a fabulous-sounding book! We are so happy to be able to share her playlist with you today.
Welcome, Heather!

I am honored the Misfits are giving me the opportunity to share a playlist. It helps me burrow into a scene’s emotional core while I work on my YA science fiction WIP, SILVERED GLASS:

When panthera cats, an intelligent race of predators, nearly exterminate her clan, 17-year-old Piper returns the favor by killing them one by one. An interplanetary conglomerate bioengineered the two races to act as interstellar navigators, but the cats were designed with an insatiable thirst for clan blood and rebels have broken the barrier between them. The only way Piper will be able to save everyone she loves is to figure out how to pilot a spaceship, broker an alliance with the panthera cats and persuade the rebels to fight beside a people they don’t consider human.

  YA Misfits Hawke by Heather Hawke on Grooveshark

(If the playlist isn't working for you, you can check it out here!)

My music tends to the jazzy, the whimsical, and always has a hook into my soul. I hope it wends its way into yours too!

For hope, humor and romance, Pink Martini can’t be beat. “Let’s Never Stop Falling in Love” is to swoon for.

Last night I got to see Sutton Foster at the new Feinstein’s in San Francisco (gift from my mom *waves*). My mc, Piper, is a little bit wicked, so she’d like these two – “Anything Goes” and “Air Conditioner.” She and Mrs. Peel would get along (Theme from the TV show, The Avengers, by Laurie Johnson).

For romance with an edge, I like Lianne La Havas and “Is Your Love Big Enough.”

Where there is romance, there is also angst. When I need to conjure up the teenage variety, I can’t do better than The Bravery (“Believe”) and The Savages (“She Will”).

If my characters need rhythm, “Sing, Sing, Sing (With a Swing)” by the Benny Goodman Orchestra will get their feet moving.

The road to love is never smooth and is often filled with longing. For that, I have Véronique Sanson (“Sans Regrets”), Patsy Cline (“Walkin’ After Midnight”) and Anya Marina (“All the Same to Me”).

Sometimes the romance goes south so I call on the Carolina Chocolate Drops’ “Hit ‘em Up Style.”

If my mc has to dump a guy, she’d go for Weezer’s “Island in the Sun.” After that party, she might want to listen to Al Bowlly’s “My Canary Has Circles Under His Eyes.”

For the darkest moment in my ms, Mozart’s “Requiem Mass” combines despair with heartrending beauty.

What is a story but an adventure? The Talking Heads (“The Road to Nowhere”) and The Foo Fighters (“Learn to Fly”) take me there.

While composers like John Williams and Hans Zimmer might be the kings of epic music, I have a weakness for Two Steps from Hell (“Heart of Courage”) for a climatic moment.





When Heather is not reading and writing YA science fiction and fantasy, as an ecologist she takes delight in Earth’s splendor and loves to capture its bounty as eggs, cheese and all things preserved. She is growing her own feathers learning to fly a trike (light-sport aircraft) and finds the view from up there inspires a wonderful lot of stories.

Heather can be found at her website, http://heatherhawke.com/, youtube https://www.youtube.com/user/Neostapfia?feature=watch, or twitter @Heather_Hawke

June 12, 2013

Yearbook Meeting #2: Debate Team

Hey, Misfiteers! Welcome to our new monthly feature in which you can get to know the girls behind the argyle a little better by attending one of our "Yearbook Meetings!" This month's meeting is of the Debate Team, and here's what we're discussing:

What issues would you like to see addressed more in YA?

I think there are some strides being made toward YA becoming more diverse, but we've still got a long way to go. I'd really love to read some YA that reads like the ABC Family show "Switched at Birth" - a discussion of handicapability, the different approaches from within and without, exploring how very possible - and common - it can be to love and be proud of being "different." - Dahlia

I know a lot of teens with strong religious practices, but every time I read a religious character, they're either a caricature or religion is the central plot.  I'd love to see some characters who practice their faith just as part of their character. This extends to all religious persuasions too! - Jenny

I think Jenny's right. It would be cool to see more characters who are religious just as another part of their character. Personally (and I don't know if it's just because I'm an anxious mom) I've been really saddened by all the stories of bullying in schools and the trauma that can cause. I'd love to see more about the new social issues that junior high and high school students are facing. Also, more non-skinny girls in YA! - Leigh Ann

To the surprise of absolutely no one, I'd love to see more diversity in YA. :) I'd love to see more disabled characters, more genderqueer characters, more Latino characters, more autistic characters, more character with mental illnesses, more bisexual characters, more--more you-name-it-we've-got-it. And not just as "issue" books, but across the spectrum of YA lit. I'd love for it to be that much more inclusive. - Marieke

I'm going to jump on the diversity train here - I would love to see more characters with mental illnesses portrayed in a positive light, rather than having the mental illness be the root problem in a horror or thriller novel. It'd be even better if it happened in a genre other than contemporary. - Chessie

I tend to hear "issue book" and shudder and run the other way. So I guess my answer would be books with diverse characters and "issues" where the Thing isn't really a Thing, like what Jenny says about religion above. Like how, in the MORTAL INSTRUMENTS series, Alec is gay, but he's gay just like anybody else is straight. The book isn't about him or others struggling with it or talking about it all the time, it is just a part of his character. I would like to see that happen more not only in contemp, but across genres. - Maggie


EEEP! *runs in late to the meeting* Sorry! Debating issues, huh? I'd like to see more diversity, yes, but more dealing with disability, too. Not just supernatural hardship, but real life hardship. Chronic illness that doesn't magically go away when some sort of power shows up. I'd also like to see social hardship, beyond alcoholic parents or divorce. Loving families that are still just scraping by, but somehow make it work. - Cait

June 11, 2013

Happy Release Day - ONE and Misfit Leigh Ann!!!!

Today we have a Misfit Milestone! Our one and only LEIGH ANN KOPAN'S book ONE is finally out!!!



This is one of those books we all fell in love with as soon as we read it and to say we all feel a bit like this today would be an understatement!



There may have even been some of this going on.







But basically, we just want to say A HUGE CONGRATS ON YOUR RELEASE DAY LEIGH ANN!


You can pick up a copy of ONE from any of these places! Trust me, you're going to want to get on that NOW :)

Amazon Kindle
Paperback (from Amazon)
Special Edition Paperback with comics (from Amazon)
Barnes and Noble Nook
iBookstore
Signed (from my site)
Createspace

And stop by Leigh Ann's blog to wish her congrats as well!



June 10, 2013

Monday Pep Rally: Book Firsts


If you'll recall, we've changed up our format a little bit for these posts. Because we've all gotten so used to getting our thoughts down in 140 characters, we're taking the discussion to twitter! Every Monday, we'll be talking about our Pep Rally question on twitter and we'd love you to join in. Just keep an eye out for the #MisfitPepRally hashtag!

So. My debut novel drops tomorrow. *cue screaming, passing out, and possibly throwing up.*

I wasn't sure how I'd feel the day before release day, and you know what? I'm still not sure. I'm realizing it's one of those things that is completely unclear, and maybe even non-monumental in the moment of living it, but that I'll (hopefully) remember with some clarity at some point in the future. 


I think it's the same with a lot of book firsts - the first time you loved a book, the first time you re-read a book so much you had to buy another copy, the first time you had a crush on a character, the first time you actually wrote a book you were proud of. 

So, for today's #MisfitPepRally, tell me - what's your most memorable "Book First?" 

June 7, 2013

Casual Friday: How Bookstores Work

Some of you may not know this, but in a former life, I worked at a bookstore. I was officially the Events and Marketing Coordinator, but those jobs meant I had my hands in many different aspects of bookstore operations.

Since a lot of us on the writing side of the book industry don’t know a lot about the bookstore side (and it’s good stuff to know!) I thought I might pull back the curtain a little for you all. Ready for some trade secrets?

**Disclaimer: This is all based on my experience working in one medium-sized independent bookstore. Different bookstores might do things a little differently. Plus, my experience was a few years ago, and we all know how fast publishing has changed recently. In short, don’t throw too many things at my head if this doesn't quite line up with what you've experienced. That being said, these are pretty standard bookstore practices.  

ORDERS/INVENTORY
(Or: Wow, there are a lot of books.) 

There are a lot of books out there, guys. A LOT. Just from traditional publishers, there are hundreds of thousands of new books out every year. There is no way even the biggest bookstores can carry even a small percentage of  all of them, and smaller stores really have to pick and choose what to devote shelf space to. 

So how do they choose? Well, it’s an inexact science. For instance, in any given season, stores might order a combination of:

-Big Books that most every store is going to carry (Dan Brown’s latest, for example). 
-Books that are buzzy for some reason (celebrity; new series from an established author; tons of marketing at BEA/another conference/direct store mailings and ARCs, etc)
-Store preferences like local interest or local author books or books that particular store tends to sell well
-Publisher incentives. Certain books might have a better discount percentage, more co-op, etc. 
-Sales rep recommendation. Sales reps are magical people who go from bookstore to bookstore every season and help buyers decide what they want. They know their publishers' catalogues and their stores' inventories and personalities inside and out, and can help steer stores towards books that would work for them. For instance, a buyer might know they’re ordering the new James Patterson and the first in a new YA trilogy they saw all over BEA, but a good sales rep can direct them to a quieter contemp deep in the catalogue they might not have noticed, but that the rep knows they’ll love. Seriously, hug your sales rep. 
-Other random things. A buyer's favorite author, a book with an especially catchy cover, something the kids' coordinator thinks sounds fun. 

Once the store has decided what to buy (the new season’s titles are called “Frontlist,” though stores can and do also order Backlist all the time), they generally have to return some books to make room for newer ones. (This is an incredibly simplified explanation of returns. For a much better explanation of this, and more on orders, see fabulous agent Jenn Laughran’s first Think Like a Bookseller post here. http://literaticat.blogspot.com/2013/05/think-like-bookseller-part-1-on-turns.html)

CO-OP
(Or: All those stacks of books on tables at the front of the store—they’re not just the booksellers’ favorites.)

Co-op is short for Cooperative Advertising, which means the publisher and the bookstore are cooperating to get the books in front of their intended audiences. What this means is that publishers pay bookstores (either by giving them actual money or by offering better discounts, etc) for anything from front-of-store placement to what we called “dumps” (not a very pretty name for those lovely standing cardboard displays full of a certain book) to featured placement in a store’s online newsletter, and even to something as simple as face-out placement on a book’s regular shelf. 

(Some featured books are also bookseller favorites, event books, etc. Not all are co-op, but many are!)

EVENTS
(Or: The fact that John Green has never visited your local bookstore doesn’t mean he doesn’t like your town.) 

Bookstore events start long before you meet the author. They start when a season’s books are announced, and publishers release which of their authors are
going on tour. 

For some tours, event locations are decided even before this point, but for many, bookstores can make requests. But the thing is, there are far fewer tour stops than bookstores that request them, so the bookstores have to write up very involved proposals and publicity departments have to consider each request and decide where to send the authors, based on all kinds of factors. What kind of venue is the bookstore proposing? How big an event do they anticipate? Any local connections? How has this bookstore done with similar events in the past (number of people at event, books sold)? 

So really, it’s a huge coups for any store to land a big author tour. If your local store does, make sure to attend, and buy books, because if a tour stop is unsuccessful, it’s harder to get further tours to come through. (This message from your friendly neighborhood former event coordinator!)

So! That’s a very general overview of just a few of the lesser-known aspects of bookstore life. Anybody have any questions? If you do, I’ll try to answer in the comments! 

Image By Stewart Butterfield (flickr) [CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

June 5, 2013

Writing Club Wednesday: Writing Inspiration for the Non-Inspired



I know everyone talks about the fact that writer's block isn't real. That you just need to get your butt in the chair and get words down on paper, even if it's hard. But I'm going to be honest with you guys. Writer's block feels pretty real to me lately. No matter how much I want to get something on paper. No matter how many plot outlines I make or character sheets I draft up, I can't get the words out. Don't get me wrong. I'm sitting down and writing. I'm racking up word counts eventually. But there's no joy in it, it's a chore to get through. And I know my poor readers feel the same way.

Some people say they can't tell a difficult writing session from an easy one when they go back to read it later. But lately everything I write feels difficult when I re-read. Like my flailing around is painfully obvious both to me and to anyone else who I might share it with. What makes it even worse is that it's also affecting my enjoyment of other people's writing. Not only do I have writer's block, I have reader's block as well!

So I've been looking for other ways to get back to enjoying writing. To feel the tug of a story and the desire to meet a new character or create a new world. And I've found a few things that have seemed to help:

1. Watching Movies - When done well, movies feel like bite-sized books. And when I'm feeling like I can't handle the investment of time to read a novel, sometimes that two hour block does just as well. Its easy to find something sci-fi, or romance, or fantasy to get lost in. And when I'm done, hopefully something has sparked an idea or thought that might lead to inspiration.

1a. Documentaries are also in this same vein. Sometimes life really is stranger than fiction, and ideas are everywhere. Some of my favorite shows to watch are PBS travel documentaries, the BBC Earth series, and a History channel show called Mysteries at the Museum. All of them feel like palate cleansers, like a reset button into the world.

2. Video Games - There's nothing better than being completely immersed in a story, and the best video games do this. They take you to a new world, introduce you to new characters, all in an active, participatory way. The way a character talks,  a new fantastic setting, or an unexpected plot twist can trigger your own ideas.

3. Exercise - Sometimes a good walk is the perfect antidote for Butt-in-Chair. Getting up and moving can jog things loose or start you thinking about things in a different way.

4. Comics - So yes, technically some of them could be considered "books" but after reading the amazing comics our own Chessie did for the release of Leigh Ann's book One, (which are completely AWESOME and you should go check them out right now) I realized that the experience of a comic is totally different than reading a novel. The pictures, interwoven with short text, seem to hit my brain differently and I was inspired to buy a few more. Having that visual aspect instead of just words seemed to help with the reading block especially.

5. Giving up - Shocking, right? But sometimes you need to step back and take a break. If you're burnt out, tired or just plain done with writing (and honestly, we've all felt like that, right?) It's okay to give yourself permission to stop for a while.

Unfortunately I don't have any easy answers for getting over feeling blocked or unmotivated, but I'm always looking for ideas!  I'm trying different things - some are working more than others. But I'm hopeful I'll get through this and back to writing soon.

So how about you guys? What do you do when you're feeling blocked or tired of writing? Do you have any tips for how to get over that?


June 3, 2013

Monday Pep Rally: Other Worlds


Happy Pep Rally Monday, Misfiteers! 


If you'll recall, we've changed up our format a little bit for these posts. Because we've all gotten so used to getting our thoughts down in 140 characters, we're taking the discussion to twitter! Every Monday, we'll be talking about our Pep Rally question on twitter and we'd love you to join in. Just keep an eye out for the #MisfitPepRally hashtag!

Moment of truth: how many of you are still waiting for your letter from Hogwarts? As a kid, I re-read A LITTLE PRINCESS every winter, dreaming of Sara's attic bedroom after the Indian Gentleman furnished it. And who among us hasn't dreamed of stumbling into a wardrobe that transports us to Narnia?

Books have the power to let us live in  other worlds - and some are harder to leave than others! So tell me: what books would you like to live in? What other world would you like to visit, perhaps for a shorter time? Head on over to Twitter and tell me about it! Remember the #MisfitPepRally hashtag!

 
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